WHOSE “UNIVERSAL MUSEUM”? COMMENTS ON JAMES CUNO’S WHOSE CULTURE?
“The restitution of those cultural objects which our museums and collections, directly or indirectly, possess thanks to the colonial system and are now being demanded, ...
PART ONE is readable here:
Document attached as pdf at the end of this article
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IV. UNFINISHED WORK
Cuno ends his introduction with a statement which many of us could easily subscribe to in so far as it appears to be a ...
THE STRANGE AND AMAZING THOUGHTS OF SIR NORMAN ROSENTHAL ON ENDING RESTITUTION OF NAZI LOOTED ART
Norman Rosenthal suggested sometime ago that there should be an end to claims for restitution of Nazi-Looted art and was rightly criticised by ...
HOW LONG MUST NIGERIA WAIT FOR THE RETURN OF SOME OF THE LOOTED BENIN ARTEFACTS
In an interview reproduced below from the PUNCH, the Director-General of the National Commission for Museums and Monuments, Dr. Joe. Eboreima gives his views of the ...
Going postcolonial, seeking 'altermodern'
Born in Calabar, Nigeria, in 1963 and now dean of academic affairs at the San Francisco Art Institute, Okwui Enwezor has organized a number of seminal exhibitions of contemporary art. In 2001, the ...
Refusal of intellectual dialogue: comments on an interview with James Cuno
The latest statements by the Director of the Art Institute of Chicago in an interview entitled “Treaty on antiquities hinders access for museums” cannot be simply ignored or ...
Those who saw the exhibition, Benin: Kings and Rituals - Court Arts from Nigeria would be familiar with the name and writings of Peju Layiwola. She contributed a piece, “The Benin Massacre: Memories and Experience”, to the excellent ...
Mine is mine but yours is ours Comments on a suggestion to take culture out of cultural property
I enjoyed reading the article entitled “Yours, Mine, Ours: Taking the Culture out of Cultural Property” in Antiquities Watch (1) and I have ...




